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A positive article in the New York Times.
The main character is so sweet and lovable and vulnerable that I waited the whole time for something bad to happen to her. Nothing does, which could be a structural flaw: where’s the conflict? Where’s the structure? But it somehow was very satisfying anyway. It had a young-Audrey-Hepburn kind of feel, in that the main character’s delightfulness was the main fact of the movie.
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